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Showing posts with label John Banville. Show all posts
Showing posts with label John Banville. Show all posts

Thursday, October 28, 2021

AN POST IRISH CRIME NOVEL of the YEAR 2021 Nominations are revealed!!!

   The much-anticipated nominations for AN POST IRISH CRIME NOVEL of the YEAR 2021 have been revealed!!

And it's an abolute cracker of list, but...

WHO WILL WIN THE COVETED TITLE??

 



 

IN AUTHOR ALPHABETICAL ORDER, THE NOMINATIONS ARE....

 

April in Spain by John Banville

John Banville previously published his crime novels under the pseudonym name Benjamin Black, and April in Spain sees a change of direction in this. Banville is well known for his series of crime novels based on the 1950’s pathologist Quirke, which were also adapted for T.V., starring Gabriel Byrne.

April in Spain is set on the idyllic coast of San Sebastian, where pathologist Quirke is struggling to relax - despite the beautiful beaches, cafes, and the company of his wife. When he glimpses a familiar face, April Latimer, at a bar, at first it’s hard for him to know whether his imagination is running away with him, because April was murdered years before. The Irish Independent who sponsors the Irish Crime Novel of the Year Award, describes the novel as “a slow-burning mystery, a love story and a study of the corruption and power of the Irish political elite – quite a lot to pack into one crime novel. Banville has achieved it with grace and poise.”

 

The Dark Room by Sam Blake

Sam Blake is the pseudonym for Vanessa Fox O’Loughlin, founder of the writers’ resource website, Writing.ie, as well as The Inkwell Group publishing consultancy, and is the tour-de- force behind Murder One, Ireland’s premium crime-writing festival. She is also a board member of the Society of Authors, fellow of the Royal Society for the Encouragement of the Arts, Manufactures and Commerce, past chair of Irish PEN and convenor of the Irish Chapter of the Crime Writers’ Association.

Sam Blake has achieved enormous success with her Garda Detective Cat Connolly series and two other standalone mysteries, becoming a Number One bestseller in Ireland. In The Dark Room we follow Rachel Lambert, from London, and Caroline Kelly, from New York, to Hare’s Landing in West Cork. The two women have their own reasons for coming to this remote spot but must join forces in their investigations to uncover the truth about a 30-year-old missing person’s case. The Irish Independent says of The Dark Room, “a book which delivers a well-paced and layered plot that cleverly combines cold cases with present day drama, resulting in and intriguing read with plenty of twists and turns…Blake has a wonderful gift for description, ensuring the reader can picture every scene…”

 

The Killing Kind by Jane Casey

Jane Casey has been nominated several times for the Best Irish Crime Novel of the Year Award, winning the award in both 2015 and 2019. Well known for her fantastic London-based Maeve Kerrigan series of police procedurals, in 2015, she won the coveted Mary Higgins Clark Award at the Edgars for her novel The Stranger You Know. A graduate of Oxford she also has received a M. Phil from Trinity College, Dublin. 

In The Killing Kind, a standalone novel, lawyer Ingrid finds her life under threat and needs to call on the help of the person who had previously stalked her. The Irish Independent review describes The Killing Kind as “that just-right blend of serpentine plot, believable characters and a hero we want to root for, plus a thriller tension that’s ratcheted so tightly at times, you almost need to put the book aside and take a breather.”

Could this be Jane’s third time as a winner?

 

The Devil’s Advocate by Steve Cavanagh

Steve Cavanagh was nominated for Best Irish Crime Novel of the Year in 2019 for Twisted, and last year, 2020, for Fifty-Fifty. In The Devil’s Advocate, he continues his popular Eddie Flynn series, sending Eddie into America’s Deep South. Steve has achieved great success with his novels, becoming an International Award-Winning & Bestselling Author. His debut novel, The Defense, was nominated for the Ian Fleming Steel Dagger Award for Thriller of the Year, and The Plea won the Prix Polar Award for Best International Novel.

Steve is a practicing lawyer and co-hosts the chart-topping podcast Two Crime Writers And A Microphone. The Irish Independent review of The Devil’s Advocate says, “Cavanagh has outdone himself with The Devil’s Advocate. Intense and intoxicating, it gets to the heart of a remote town, rife with racism and corruption. The compelling plot is expertly crafted with plenty of unexpected twists, while the evocative writing places the reader right in the middle

 

All Her Fault by Andrea Mara

Andrea’s debut novel, The Other Side of the Wall, was an instant hit with readers, followed by One Click, which was shortlisted for the Irish Crime Novel of the Year in 2018. This is Andrea Mara’s second time in contention for the award.

All Her Fault takes place in a quiet Dublin suburb, as Marissa Irvine goes to pick up son Milo from a play date with a boy at his new school, but the woman who answers the door isn't a mother she recognises. She isn't the nanny. She doesn't have Milo. And so begins every parent's worst nightmare.

In the Irish Independent’s review of All Her Fault, it says, “If you’re a parent, there’s no way to read the opening chapter of All Her Fault without thinking ‘That could be me!’. In a few short pages Andrea Mara manages to take the soothingly – boringly! – normal and turn it into something terrifying. In just a few lines she dismantles the web of trust, the assumption of security, that surrounds so much of what we do with our children and shows how very fragile both those things are. The result is a story that is chilling and compelling.”

 

56 Days by Catherine Ryan Howard

Catherine Ryan Howard has previously been shortlisted for Irish Crime Novel of the Year three times, initially for Distress Signals, then Rewind, which is being currently being developed for television, and in 2020, for The Nothing Man. Her second novel, The Liar’s Girl, was also a finalist for the prestigious 2019 Edgar Award for Best Novel, and she has also been shortlisted for the John Creasey Blood Dagger Award, as well as being included in the Guardian’s list of 50 Great Thrillers by Women Written Since 1945.

56 Days will be her fourth nomination for Irish Crime Novel of the Year. The Irish Independent describes 56 Days as “a tricky, brilliantly entertaining — and very timely — thriller about Oliver and Ciara, who meet and hit it off just days before the first Covid lockdown was announced in March 2020. They decide to see out the curfew in the throes of a passionate affair — but one, or both, of them is hiding some very dark secrets…”

 

YOU CAN VOTE FOR YOUR FAVOURITE NOVEL  HERE

Thursday, April 15, 2021

CWA Dagger Awards Longlists Announced!!!

The CWA Dagger Awards Longlists has been announced, and HUGE CONGRATS to all the authors including IRISH AUTHORS, CATHERINE RYAN HOWARD - THE NOTHING MAN, MICHAEL RUSSELL - THE CITY UNDER SIEGE,  JAX MILLER - HELL IN THE HEARTLAND,  and JOHN BANVILLE - SNOW!!


 


The world-famous Crime Writers’ Association (CWA) Daggers are the oldest awards in the genre, and have been synonymous with quality crime writing for over half a century.

Past winners of the prestigious Gold Dagger, which is awarded for the crime novel of the year, include Ian Rankin, John le Carré, Reginald Hill and Ruth Rendell. This year sees 2019’s winner of the Gold Dagger, M W Craven, return with The Curator. The former probation officer credited the CWA Debut Dagger competition in 2013 for opening the door to his career as an author.

Amer Anwar, who won the Debut Dagger competition in 2008, makes the list with Stone Cold Trouble. Anwar is up against the mighty JK Rowling writing as Robert Galbraith, alongside multi-award-winning authors including Nicci French, Elly Griffiths and Antonia Hodgson.

The Ian Fleming Steel Dagger is famed for showcasing blockbuster thrillers – past winners include Gillian Flynn and Robert Harris. Robert Galbraith is once more in the running, along with Ian Rankin, Stuart Turton, Catherine Ryan Howard, Ruth Ware and Michael Robotham, last year’s Gold winner.

Holly Watt, who won the Fleming Dagger in 2019, also returns to the longlist with The Dead Line.  Another to watch on the Fleming longlist is Chris Whitaker; his book Tall Oaks won the CWA John Creasey (New Blood) Dagger in 2017. Whitaker is long-listed for his latest novel We Begin At The End, which was a Waterstones Thriller of the Month and has sold in 17 territories, with screen rights snapped up by Disney.

Linda Stratmann, Chair of the Crime Writers’ Association, said: “The CWA Dagger awards are unparalleled for their reputation and longevity. The longlists showcase authors – established and new – at the top of their game. It’s not surprising that sales of crime fiction have been so strong during Covid-19. Both fiction and non-fiction have proven to be a great escape for many as we have been stuck at home. As our longlists show, these stories and insights take readers all over the world and through time, from Bombay of the 1950s to ancient Athens to modern-day California and many points between. 

“Crime books can be thrilling mysteries, but they can also provide social commentary, insights into true crime, or explore big questions in life. The vast and diverse talent in these longlists show why it’s the UK’s most popular and enduring genre. We are proud to provide a platform for debut, emerging and established authors, and to honour the very best in crime writing.”

The much-anticipated John Creasey (New Blood) Dagger highlights the best debut novels. Among the rising stars of 2021 is Susan Allot with her Australian-set debut, The Silence, praised by the Wall Street Journal as ‘emotionally wrenching’.

New writing duo Chris Rickaby and Barney Thompson, writing under the pseudonym Ben Creed, also feature with their debut, City of Ghosts, a tense historical novel set in 1951 Russia. The global theme continues with Stephanie Scott’s accomplished debut, What’s Left of Me Is Yours, set in modern day Japan, exploring romantic and familial love, duty and murder.

Booker prize winner John Banville is a heavyweight contender on the Sapere Books Historical Dagger longlist. The prizewinning novelist and literary polymath, considered Ireland’s greatest living novelist, is in the running for Snow, his first murder mystery published under his real name rather than his nom de plume, Benjamin Black.

This Sapere Books Historical Dagger longlist also includes Nicola Upson, who was shortlisted for the award in 2018, and S J Parris, whose Giordano Bruno books, Heresy, Sacrilege and Treachery have all been previously shortlisted. Vaseem Khan also features on the list as he swaps his contemporary light-hearted Baby Ganesh Agency series with his historical crime novel Midnight at Malabar House, set in 1950s Bombay.

The Crime Fiction in Translation Dagger sees the bestselling Jo Nesbo on the list with his stand-alone thriller, The Kingdom, translated by Robert Ferguson. Joining the Norwegian is Swedish writer Mikael Niemi with his sumptuous blend of historical fact with fictional intrigue, To Cook a Bear, centred around the Laestadian revivalist movement of the 1850s, translated by Sarah Death.

From one of Israel’s most beloved writers is Three by D A Mishani, translated by Jessica Cohen, and from South Korea, Yun Ko-eun’s original and inventive thriller The Disaster Tourist makes the longlist, with translator Lizzie Buehler.

The CWA Daggers are one of the few high-profile awards that honour the short story. Christopher Fowler, the award-winning author of the Bryant & May mystery novels, has written over 50 novels and short story collections. Fowler, who won the CWA Dagger in the Library in 2015, is longlisted for his short story, Head Count. The list also features acclaimed authors Clare Mackintosh and Stuart Turton. Founding member of the North East Noir crime writers’ group, Robert Scragg, also dominates the category as an editor and writer of short stories.

The ALCS Gold Dagger for Non-Fiction features the 2020 CWA Diamond Dagger winner, Martin Edwards, with Howdunit. A renowned editor, prolific novelist, and leading authority on crime fiction, Howdunit offers a masterclass in crime writing by leading exponents of the genre.

Dan Smith also features with The Peer and the Gangster which tells the incredible story of one of the largest-scale political cover-ups in British history – the 1964 scandal of an alleged homosexual affair between Lord Boothby, a well-known member of the House of Lords, and London’s most notorious mobster Ronnie Kray.

The Dagger in the Library is voted on exclusively by librarians, chosen for the author’s body of work and support of libraries. This year sees firm favourites from the genre including Nicci French, Lisa Jewell, Margaret Murphy, Erin Kelly, Peter May and Denise Mina on the longlist.

The Best Crime and Mystery Publisher of the Year Dagger, which celebrates publishers and imprints demonstrating excellence and diversity in crime writing, pits big publishing houses Harper Fiction and Faber & Faber against independent publishers such as No Exit Press. 

The CWA Dagger shortlist will be announced in May with the awards ceremony taking place at the start of July. The 2021 Diamond Dagger for lifetime achievement, the highest honour in British crime writing, has already been announced, awarded to Martina Cole.

The Longlists in Full:

GOLD DAGGER

Amer Anwar: Stone Cold Trouble (Dialogue Books, Little, Brown Book Group)

S A Cosby: Blacktop Wasteland (Headline, Headline Publishing Group)

M W Craven: The Curator (Constable, Little, Brown Book Group)

Ben Creed: City of Ghosts (Welbeck Fiction, Welbeck Publishing Group)

Garry Disher: Peace (Viper, Profile Books)

Mick Finlay: Arrowood and the Thames Corpses (HQ, HarperCollins)

Nicci French: House of Correction (Simon & Schuster)

Robert Galbraith: Troubled Blood (Sphere, Little, Brown Book Group)

Elly Griffiths: The Postscript Murders (Quercus)

Antonia Hodgson: The Silver Collar (Hodder & Stoughton)

S G Maclean: The House of Lamentations (Quercus Fiction, Quercus)

C D Major: The Other Girl (Thomas & Mercer)

Thomas Mullen: Midnight Atlanta (Little, Brown, Little, Brown Book Group)

S J Parris: Execution (Harper Fiction, HarperCollins)

Tade Thompson: Making Wolf (Constable, Little, Brown Book Group)

Nicola Upson: The Dead of Winter (Faber)

Chris Whitaker: We Begin at the End (Zaffre, Bonnier)

Rebecca Whitney: The Hidden Girls (Mantle, Pan Macmillan)

 

IAN FLEMING STEEL DAGGER

Charles Cumming: Box 88 (HarperFiction, HarperCollins)

Robert Galbraith: Troubled Blood (Sphere, Little, Brown Book Group)

Ryan Gattis: The System (Picador, Pan Macmillan)

Ian Rankin: Song for the Dark Times (Orion Fiction, The Orion Publishing Group)

Rod Reynolds: Blood Red City (Orenda Books)

Craig Robertson: Watch Him Die (Simon & Schuster)

Michael Robotham: When She Was Good (Sphere, Little, Brown Book Group)

Catherine Ryan Howard: The Nothing Man (Atlantic Books)

Stuart Turton: The Devil and the Dark Water (Raven Books, Bloomsbury Publishing)

Ruth Ware: One by One (Harvill Secker, Vintage)

Holly Watt: The Dead Line (Raven Books, Bloomsbury Publishing)

Chris Whitaker: We Begin at the End (Zaffre, Bonnier Books UK) 

 

JOHN CREASEY (NEW BLOOD) DAGGER

Eva Björg Ægisdóttir: The Creak on the Stairs (Orenda)

Susan Allott: The Silence (Borough, HarperCollins)

Emma Christie: The Silent Daughter (Welbeck Publishing                )

Catherine Cooper: The Chalet (Harper Fiction, HarperCollins)

Ben Creed: City of Ghosts (Welbeck Publishing)   

Judi Daykin: Under Violent Skies (Joffe Books)    

Egan Hughes: The One That Got Away (Little Brown, Sphere)

S W Kane: The Bone Jar (Thomas & Mercer)         

Rob McInroy: Cuddies Strip (Ringwood Press)     

Stephanie Scott: What's Left of Me Is Yours (Orion, Weidenfeld)

Stephen Spotswood: Fortune Favours the Dead (Headline, Wildfire)

John Vercher: Three Fifths (Pushkin Press)           

S R White: Hermit (Headline)

 

SAPERE BOOKS HISTORICAL DAGGER

J M Alvey: Justice for Athena (Canelo Digital Publishing Limited)

John Banville: Snow (Faber)

Vaseem Khan: Midnight at Malabar House (Hodder & Stoughton)

Laurie King: Riviera Gold (Allison & Busby)

Chris Lloyd: The Unwanted Dead (Orion Fiction, The Orion Publishing Group)

S J Parris: Execution (HarperFiction, HarperCollins)

Ben Pastor: The Night of Shooting Stars (Bitter Lemon Press)

Michael Russell: The City Under Siege (Constable, Little, Brown Book Group)

David S. Stafford: Skelton’s Guide to Domestic Poisons (Allison & Busby)

A D Swanston: Chaos (Bantam Press, Transworld)

Nicola Upson: The Dead of Winter (Faber)

Ovidia Yu: The Mimosa Tree Mystery (Constable, Little, Brown Book Group)

 

CRIME FICTION IN TRANSLATION DAGGER

Fredrik Backman: Anxious People, translated by Neil Smith (Michael Joseph, Penguin)

Roxanne Bouchard: The Coral Bride, translated by David Warriner (Orenda Books)

Marc Elsberg: Greed, translated by Simon Pare (Black Swan, Penguin)

Yun Ko-eun: The Disaster Tourist, translated by Lizzie Buehler (Serpent's Tail)

Volker Kutscher: The March Fallen, translated by Niall Sellar (Sandstone Press)

D A Mishani: Three, translated by Jessica Cohen (Riverrun, Hachette Book Group)

Jo Nesbo: The Kingdom, translated by Robert Ferguson (Harvill Secker, Penguin)

Håkan Nesser: The Secret Life of Mr Roos, translated by Sarah Death (Mantle, Pan Macmillan)

Mikael Niemi: To Cook a Bear, translated by Deborah Bragan-Turner (Maclehose Press, Quercus)

Agnes Ravatn:  The Seven Doors, translated by Rosie Hedger (Orenda Books)

Maike Wetzel: Elly, translated by Lyn Marven (Scribe UK)

 

SHORT STORY DAGGER

Robert Scragg: ‘A Dog is for Life, Not Just for Christmas’ in Afraid of the Christmas Lights, edited by Robert Scragg (Robert Scragg)

Elle Croft: ‘Deathbed’ in Afraid of the Light, edited by Robert Scragg (Robert Scragg)

Dominic Nolan: ‘Daddy Dearest’ in Afraid of the Light, edited by Robert Scragg (Robert Scragg)

Adam Southward: ‘Especially at Christmas’ in Afraid of the Christmas Lights, edited by Robert Scragg (Robert Scragg)

Christopher Fowler: ‘Head Count’ in First Edition: Celebrating 21 Years of Goldsboro Books (The Dome Press)

Victoria Selman: ‘Hunted’ in Afraid of the Christmas Lights, edited by Robert Scragg (Robert Scragg)

Clare Mackintosh: ‘Monsters’ in First Edition: Celebrating 21 Years of Goldsboro Books (The Dome Press)

Stuart Turton: ‘Murder Most Vial’ in First Edition: Celebrating 21 Years of Goldsboro Books (The Dome Press)

Livia Llewelyn: ‘One of These Nights’ in Cutting Edge: Noir Stories by Women, edited by Joyce Carol Oates (Pushkin Press, Pushkin Vertigo)

James Delargy: ‘Planting Nan in Afraid of the Light, edited by Robert Scragg (Robert Scragg)

Simpson Grears: ‘The Foot of the Walk Murders’ in The Foot of the Walk Murders, edited by Simpson Grears (Rymour Books)

 

ALCS GOLD DAGGER FOR NON-FICTION

Sue Black: Written in Bone (Doubleday, Penguin)

Amanda Brown: The Prison Doctor; Women Inside (HQ, HarperCollins)

Becky Cooper: We Keep the Dead Close (William Heinemann, Penguin)

Martin Edwards: Howdunit (Collins Crime Club, HarperCollins)

Andrew Harding: These Are Not Gentle People (MacLehose, Quercus)

Debora Harding: Dancing with the Octopus (Profile Books Limited)

Nick Hayes: The Book of Trespass (Bloomsbury Circus, Bloomsbury Publishing)

Ben MacIntyre: Agent Sonya (Viking, Penguin)

Jax Miller: Hell in the Heartland (HarperCollins)

Daniel Smith: The Peer and the Gangster (The History Press)

Ravi Somaiya: Operation Morthor (Viking, Penguin)

Kate Summerscale: The Haunting of Alma Fielding (Bloomsbury Circus, Bloomsbury Publishing)

Mark Townsend: No Return (Guardian, Faber & Faber)

 

DAGGER IN THE LIBRARY

Lin Anderson

Nicci French

Lisa Jewell

Erin Kelly

Peter May

Denise Mina

Margaret Murphy

James Oswald

L J Ross

C L Taylor

 

 

Wednesday, July 1, 2015

READING IRELAND


It is always great to discuss Irish crime fiction, so I was delighted to be a contributor in this month's READING IRELAND - THE LITTLE MAGAZINE. The article is titled 'Irish Crime Fiction - Emerald Noir or Emerald Diversity?' 

The aim of the journal and website is to provide in-depth analysis of Irish literature, past and present, through a series of essays and articles written by Adrienne Leavy (editor) and other Irish and American writers and academics, along with opening a window onto the best of contemporary Irish poetry, prose and drama.

Well worth supporting!!


Thursday, November 28, 2013

Thursday, September 13, 2012

NEWS, NEWS & MORE NEWS!!!


What an amazing week, with such a fantastic launch, and then the news yesterday that RED RIBBONS has hit the bestseller list in it's first week.

Coming in at Number 7 - in the fantastic company of and in no particular order:-

John Connolly,
Ian McEwan
Lee Child
Sinead Moriarty
John Banville
Tess Gerritsen
Kathy Reichs
Claudia Carroll
&
Karin Slaughter

Yesterday was a bit of a whirlwind day too - visiting bookstores around Dublin, where you can  now get Signed copies of RED RIBBONS. It was a fantastic day, and I met some really great people in each of the stores.

Easons Dundrum with the lovely Colin & Kayleigh


You can get signed copies of books now at the following locations: -

Easons O'Connell Street
WHS Arnotts
Hughes & Hughes Stephen's Green SC
Easons Dundrum
Easons Tallaght
Reads of Nassau Street
Dubray Books Grafton Street
Hughes & Hughes Dundrum
Easons Liffey Valley
Hodges Figgis (only a couple left)
WHS Travel Dublin Airport T2
Hughes & Hughes Swords
Easons Swords
Hughes & Hughes Swords
Easons Blanchardstown
Easons Dublin Airport T1

Or for regular stocks you can order HERE or HERE

And okay, I know I'm sounding like a long playing record, but for RED RIBBONS to stay in the Bestseller Listing, you need to spread the word!!!

So if you've read RED RIBBONS, and you've enjoyed it, well pleaseeeeeeeeee.... tell people about it!!!

The Blog tour will recommence shortly, and I will also announce the Winners in the 'Interesting pictures RED RIBBONS Campaign'.

I've only a couple of funny/interesting pics in the Bookstore Category, so if you do pick up a copy of RED RIBBONS over the weekend, or already have one, send in your picture to Twitter @LouiseMPhillips, email phillips.louisem0@gmail.com or on facebook, or leave a comment here!

xxxxx


Louise


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